Produced during the pandemic, Be brought calm and comfort to many this fall. As Weeekly explain on “Tag Me (@Me),” our timelines inject excitement into everyday routines, and it’s hard to resist the rush of social media-supplied dopamine. for them -- a concept that could be difficult for younger groups to believably pull off. Though ALL ABOUT LUV made headlines this year for being the first all-English album from a K-pop group in more than a decade, the project isn’t just notable for its linguistic direction. With elements of city pop and refreshing touches of flute, “pporappippam” delivers a story of both passion and optimism for the K-diva’s first proper love song released as a single. Neo Music Community's music site, IZM Critic, released their top 10 best songs of 2020. Tags: kpop; kpop 2020; Hopkinz Veteran. You can unsubscribe at any time. My Top 50 Kpop Songs of 2020. -- MONIQUE MELENDEZ. -- R.M. Taemin’s solo music has always ventured to the dark side, but ever since “Move,” he’s peeled back layers of the human psyche that people often prefer keeping to themselves. What’s captivating about Twice is that even as they sing about inner turmoil, the words are expressed through sweet-toned voices and upbeat tunes—giving the listener a reassuring, revitalizing hug. Honourable mentions. Song Review: Cherry Bullet – … For their first comeback in two years, APRIL play the enchanting lead roles of a cosmic love drama, set to a lush production with synths that shine like gemstones. This year’s K-pop magnum opus, EVERGLOW’s “LA DI DA,” mirrored the U.S.’s pop magnum opus, The Weeknd’s “Blinding Lights,” only months after its release. Answer by ATEEZ Lay Back by VERIVERY Good Guy by SF9 Keep Going by VOISPER We Belong by Ong Seongwoo Dark Cloud by Younha Top Gang by MCND (pre-debut) Count Down by TST Wish by DreamNote Say My Name by ANS My Angel by B.O.Y (Debut) Cheeky by ENOi […] The arrival of BLACKPINK’s first full-length album—so highly anticipated the project was simply titled The Album—was one of K-pop’s biggest news events in 2020. From the punky chants on the chorus to the softhearted melodic pre-chorus -- plus an unexpected wolf howl on the second verse -- “Bedlam” serves just what its title promises, with Jin Hyuk's energetic delivery navigating a hodgepodge of hip-hop styles. But BTS’ Map of the Soul: 7, released back in February, is the septet’s artistically intricate masterpiece of the year. And after all, if you’re not moving forward, why not move “LEFT & RIGHT,”. It’s a full-fledged motion picture packed into just over three minutes to tell a rare, real-life story of one of the world’s biggest stars. If the chorus seems like the most grandiose thing the group has ever done, it’s only because they’re trying to match the larger-than-life scale of their overflowing feelings. Their story about a fateful connection written in the stars unreels in literal terms as they liken each other to celestial bodies, measuring their love in galactic proportions. Share. In spite of the track’s suave sound, the lyrics have SF9 practically begging their love interest for a chance, closing on the line “Hold me tight before it’s too late.” But even though it’s doubtful that they’ll get the girl, it doesn’t matter -- these good guys still won. In the next year, you will be able to find this playlist with the next title: Most Popular Kpop Songs of 2022 - Top Korean Music 2022. The Songs and Albums That Defined K-Pop's Monumental Year in 2020 By Kat Moon December 11, 2020 12:59 PM EST It was a brutal year for the K-pop industry as well, of course, but artists kept recording, performances were held online, and songs were released at an impressively steady pace. And when a group drops the greatest song of 2020 less than two years into their career, you can’t help but feel hopeful for the future of K-pop music at large. It’s a full-fledged motion picture packed into just over three minutes to tell a rare, real-life story of one of the world’s biggest stars. Such a shape-shifting track could easily teeter into messy territory, but the soloist makes the track both accessible and exciting with his sunny rap style and masterful triplet expertise. The song calls for a grand celebration, but they’re too distracted trying not to indulge in their own treacherous desires: “I just can’t go back anymore/ Out of control,” Chaeyoung sings before the rest of the group fully surrender to temptation. It was the wrong year to be young and in love in 2020, but at least we had WOODZ to keep us company. “LEFT & RIGHT” is so exuberant that every sound -- from doorbell chimes to 808 cowbells, organ synth riffs to full-bodied brass  --  bursts forth like aural confetti. --, "MAGO” distills disco to its very best qualities, shimmering -- quite literally -- with synths and steady beats, building a heady, atmospheric high. One of the most emotionally impactful songs of the year is, ironically, delivered without any trace of emotion. ). BTS has connected with a worldwide fanbase in large part thanks to the universal-but-still-personal themes of their music, and “Black Swan” represents one of their most intimate confessions. “Get out of all the boring rules.” If “Cool” sounds standoffish, then the song succeeds at what it sets out to do. In one year, the nearly six-year-old group released three albums of varied lengths for the series “回”—a Sino-Korean word meaning to “turn around” or to “return.” But instead of going backward, the six members forge a new path forward with the magical and mystical Walpurgis Night. The Top 40 Pop Songs Of 2020 2020 In Review December 14, 2020 2:21 PM By Chris DeVille This column has reached the end of its seventh(!) The giddy strings play a riff straight out of a cartoon jingle, and the nimbly strummed guitars put a pep to the band’s step. "MAGO” distills disco to its very best qualities, shimmering -- quite literally -- with synths and steady beats, building a heady, atmospheric high. -- J.M.K. The following is a list of notable events and releases that have happened, or are expected to happen in 2020 in music in South Korea Contents 1 Debuting and disbanding in 2020 EVERGLOW takes the listener on an electrifying ride in this track that stands out among the year’s retro-inspired songs for its spunky synth backbone and dynamic melodies. Romeo and Juliet? As cohesive as it is musically, its magic lies in how perfectly it fits into the ethos of. But it appears on the Best Albums section of this round-up rather than the Best Songs section for a reason: the 12 other tracks from this release, connected by a running theme of light versus darkness, are just as strong. “You won’t be able to escape/ Only dream of me,” they sing, and APRIL’s insistence to be your world makes the attraction of “LALALILALA” difficult to resist. Email. 3. Instead of believing in fairy tales and waiting for a Prince Charming, their only love are the images of themselves smiling in the mirror. As Weeekly explain on “Tag Me (@Me),” our timelines inject excitement into everyday routines, and it’s hard to resist the rush of social media-supplied dopamine. WANNABE ITZY • It'z Me. If the chorus seems like the most grandiose thing the group has ever done, it’s only because they’re trying to match the larger-than-life scale of their overflowing feelings. This mature message successfully connected with a large audience, and “Dumhdurum” became a knockout success in both Korea (topping all local music charts) and the, charts (tying for their longest-running hit on. -- M.M. How You Like That BLACKPINK • THE ALBUM. Previous Article The Best Anime I Watched in 2020 ! Welcome back to the Top 100 Most Viewed K-Pop Songs of All Time! Their second single, the brazen all-caps anthem “I LOVE YOU,” teems with a relentless energy that’ll have you smitten from secondhand infatuation. What makes “Criminal” even more compelling is how Taemin controls the chaos in the song. “Answer” is a song of triumph and celebration, as ATEEZ makes clear from its first word: geonbae, the Korean term for “cheers!” From the moment vocalist San opens with “let’s make a toast like a thunder” to the track’s final minute packed with booming instrumentals, “Answer” arrests listeners with a grand exuberance shared by the two-year-old group’s best tracks. Interspersed with images of the girls dancing the night away -- not what you’d expect from a concept dealing with the occult -- are lyrics that brim with confidence and ambition. Everglow – LA DI DA. my top 10 kpop songs of 2020. And yet, this chant—“let me introduce you to some new thangs”—has become one of the most iconic lines of K-pop in 2020 largely because of its overflowing swagger. ITZY have big and loving unnie energy. The track opens with a swirling synth-pop hook strong enough to stand as a chorus all its own, before diving into verses and choruses that strike pop gold with just the right amount of catchy repetition and melancholy longing. While 2020 has been far from a banner year for K-pop, with the coronavirus pandemic impacting the industry through disbandments, canceled tours, and shelved comebacks, there have been enough pleasant surprises to keep fans plugged in. It’s a cheeky way to poke fun at how society perceives self-assured women, since the title itself translates to “wizard.” In celebrating their limitless ambition, “MAGO” casts a spell that keeps you coming back for more. Bei den Auswertungen der Jahrescharts 2020 wurden jeweils die Top 10 berücksichtigt. 100 HOT KPOP SONGS RANKING 2020 BY KINGCHOICE - Voting Period: November 16-30, 2020 - Downvote Allowed The rising soloist had a fantastic year releasing music that’s entrenched between dreamy bedroom pop and R&B, but “I’m good at goodbyes” was particularly emblematic of 2020’s general mood; the soft vocals on “I’m good at goodbyes” mirrored the loneliness we were all feeling as a lost spring transitioned into a lonely summer. Could Amsterdam's New Economic Theory Replace Capitalism? This is just my opinion, disregarding popularity and just going by the quality of the song. What makes “Criminal” even more compelling is how Taemin controls the chaos in the song. As she goes from describing pictures of endings that occur all across nature to talking about how this feels on a personal level, she emphasizes the gravity of her heartbreak against the weight of the cosmos: you may be a small speck in the grand scheme of things, but right now, your pain is valid. “Jazz Bar,” although less heavy on the rock influences, is the most transporting track on the album, with a simple melody and light piano chords that whisk you away to the dimmed corner of a jazz bar. Through unsettling sounds and an idyllic music video that devolves into something frightening, TXT lay bare a horror rarely spoken of: watching a friendship fade before your eyes. Some prompted nostalgia for things we once took for granted, while others inspired hope for their return. While it’s easy to think of K-pop stars as mere entertainers, there’s something to be said for how vital their songs felt in a time when hope was stymied, when anhedonia was just around the corner. Their voices are layered over acoustic guitar to create a breezy and mellow ambience, taking a more pensive and melancholic turn from the hard-hitting nature of the group’s 2018 and 2019 title tracks. This rate of output is made all the more impressive by Stray Kids’ heavy involvement in songwriting, which three members—Bang Chan, Changbin and Han, who produce music under the sub-unit name 3RACHA—have taken part in since the act’s pre-debut songs. As such, find 20 songs below that we loved in 2020, that brought us away from the worries of the world. K-pop was no exception, hitting its smaller and/or newer groups hard. 1. The heavy electronic production characteristic of BLACKPINK’s crowd-riling bops remains intact, but it’s stripped back to accentuate sung melodies from the four members. The nine-member group combined retro influences from the ‘80s with its signature cheery sound for this lead single that is an instant earworm. Throughout 2020 -- in both the U.S. and South Korea -- throwback sounds were ubiquitous. BTS has connected with a worldwide fanbase in large part thanks to the universal-but-still-personal themes of their music, and “Black Swan” represents one of their most intimate confessions. On “Back Door,” Stray Kids tighten their production without eschewing any exuberance, transforming their signature bombastic EDM into something more sophisticated. Throughout 13 tracks grounded in the artists’ rich vocals, they blend this rock sound with different influences including EDM (“Scream”), Latin (“Red Sun”) and R&B (“Daybreak”). Post navigation. In a time when in-person parties aren’t possible, “LEFT & RIGHT” converts bedrooms to dancefloors. Terms of Use This year, K-pop accelerated its expansion into all sorts of mediums—novels, podcasts, documentaries. They understand something that should be taught in schools around the world: busting your ass should be supplemented with time spent shaking it. 3:11 0:30. -- M.M. Maybe they did something for you, too. GFRIEND’s 2020 journey is also reflected in the structure of Walpurgis Night, through the inclusion of the group’s lead singles released in February (“Crossroads”) and July (“Apple”). Their second single, the brazen all-caps anthem “I LOVE YOU,” teems with a relentless energy that’ll have you smitten from secondhand infatuation. , and above all, the shimmering synth-pop sound that permeated the top half of that decade. A successful pastiche of the ’80s that’s crafted by producer Ollipop, “LA DI DA” blends myriad influences: the, layered cheerleader chants of Toni Basil's “. In a year when a number of K-pop girl groups gravitated toward darker, sexier concepts, OH MY GIRL embraced a bright and youthful image in their tropical banger “Nonstop.” The track channels summer vacation on an island: sunny, vibrant melodies buoyed by upbeat synth notes; dreamy, airy vocals about harboring feelings for a crush. 3:00 0:30. SF9 first experimented with fashionable house music on “Now or Never” back in 2018, but they perfected the formula on “Good Guy.” The song pays homage to house music through visuals and sounds alike, with black-and-white clips reminiscent of ‘90s dance music video aesthetics, classic house percussion and piano offsetting their breathy, come-hither vocals, and a “Good/ Good/ Good/ Good” refrain that mimics the genre’s four-on-the-floor structure. They capture how addictive it all is with childlike glee: the titular action is treated like a schoolyard game, handclaps and shouted chants provide constant pep, and a “. Please attempt to sign up again. This mature message successfully connected with a large audience, and “Dumhdurum” became a knockout success in both Korea (topping all local music charts) and the Billboard charts (tying for their longest-running hit on World Digital Song Sales). Weki Meki revamp their approach in “Cool” by swapping their preppy dance-pop for steely electro. --, On “Can’t You See Me,” TXT pull the dark undercurrent of their youthful whimsy out from under the bed. His music always uses visual imagery as an extension, working in tandem with the music -- and as he looks around dazed and deranged, or beckons the danger closer, you get the feeling that he’s also appealing to the alter-ego inside of you. Advertising Thread starter Lost_in_the_Dream; Start date Dec 25, 2020; GO TO ADMIN PANEL > ADD-ONS AND INSTALL ABSTRACT SIDEBAR TO SEE FORUMS AND SIDEBAR Lost_in_the_Dream Staff member. Apink detail the complexity of remaining calm in the presence of a past love, even when one’s heart's still beating dumhdurum for them -- a concept that could be difficult for younger groups to believably pull off. Despite its freshness, the track has a mature sound. Through these releases, many of our favorite artists experimented with their sounds, all while building deeper connections with an audience they could only interact with from a distance. To be eligible for this top 50 list,… Their cockiness peaks in the chorus, which doubles as a taunt and a mantra: "Be hotter/ Beyond the control,” they sing like a drill instructor. The concept begins in “I Can’t Stop Me” as the chorus says, “I’m surrounded by that spot, spot spotlight/ As it shines on me, I’m swept into the darkness.” This idea extends into “Up No More” which describes spending dark nights alone, to “Say Something,” which paints a picture of waiting for someone under the moonlight. I was going to write that it was an overall disappointing year in K-pop and, I suppose, in comparison to 2019 which was, in my opinion, a stellar year, there were far fewer home-runs. The Funky Bassline featured prominently in countless boy group releases, and while many acts were content with letting TFB do all the heavy lifting. “Cool” is a conceited celebration of self, though sometimes it just feels satisfying to flaunt what you got. the band begins to question as more dizzying thoughts fill their minds. Nine years into their career, Apink are still more than equipped to bring their A-Game, and that deserves larger recognition all in itself for the industry to pay equal attention to both its senior and developing artists. Stray Kids’ adherence to their “more is more” M.O. With tours cancelled and albums delayed, COVID-19 spent 2020 decimating the music industry. 2020 is almost over (thank goodness), and here are the best girl group songs released this year (so far). The Funky Bassline featured prominently in countless boy group releases, and while many acts were content with letting TFB do all the heavy lifting, Stray Kids’ adherence to their “more is more” M.O. MY TOP 30 KPOP SONGS OF 2020. 43 thoughts on “ The Top 50 K-Pop Songs of 2020 (Day Three: 30-21) ” Pingback: ... Each week, I’ll be taking a listen to the newest kpop releases and giving my thoughts. “I don’t wanna be nobody, I wanna be me,” they shout in the chorus. By EliMarie October 14, 2020 October 14, 2020. The push-and-pull of any romance is often the most enticing yet stressful aspect of it all. This year’s K-pop magnum opus, EVERGLOW’s “LA DI DA,” mirrored the U.S.’s pop magnum opus, The Weeknd’s “Blinding Lights,” only months after its release. With elements of city pop and refreshing touches of flute, “pporappippam” delivers a story of both passion and optimism for the K-diva’s first proper love song released as a single. September was packed with so many comebacks and October immediately began with a surplus of comebacks as well. With tracks packaged tightly around a renewed identity (“Mago,” “GRWM”) and an empowered self (“Better Me,” “Wheel of the Year”), the album stands out for its thematic cohesion—and with a theme particularly resonant in a year when isolation has perhaps created more space for personal reflection. Privacy Policy And after all, if you’re not moving forward, why not move “LEFT & RIGHT,” right? Besides “Zombie,” plenty of tracks on The Book of Us: The Demon boast memorably penetrating lyrics. K-pop tends to be a young person's game -- both the industry and its labels regularly shift their priorities to younger artists -- but Apink’s “Dumhdurum” makes an exceptional case for the continuing effort and investment in senior acts. Co-produced by members Bang Chan, Changbin and Han, “Back Door” welcomes you in with TFB and ensnares you with its cheeky on-the-nose door creaks, its cooly confident vocal performances, and a stomping, floor-filling EDM finale. The album cycles through moments of introspection on BTS’ seven-year journey—from reflecting on the beginning of their career (“We are Bulletproof: the Eternal”) to boldly declaring that they welcome the pain that comes with their current level of fame and success (“On”). Bernie Sanders Mittens Memes Take Over Social Media. TREASURE, “I LOVE YOU” (THE FIRST STEP : CHAPTER TWO), Romeo and Juliet? The five-member act has established a repertoire of self-empowering anthems in the short period since it debuted in 2019, and “Not Shy” is all about giving authority to one’s own voice. Husky-voiced rapper Mimi’s verses contrast with occasional chirping chants, adding a different type of charm to the repeated phrase: “I was a little fluttered.”. The track puts the singing of its members front and center, highlighting these six seasoned performers—Apink debuted in 2011—as they effortlessly command attention with their vocal prowess. Let’s find out if your favorite song is in this chart. So are the first lines of the track, which are neither delivered as song nor rap but as chants. Using the title as a metaphor -- to represent both the one-of-a-kind phenomenon they are and the 2010 movie where a ballerina makes the ultimate sacrifice for her art -- the superstar septet investigates their underlying anxieties until declaring they won’t let fear win over passion in the end. They understand something that should be taught in schools around the world: busting your ass should be supplemented with time spent shaking it. Is there a sonic motif that had as big a year in K-pop as The Funky Bassline? Sorry, but the only story of impassioned love I need is from TREASURE. In the context of admitting a crush—a confession often marked by hesitancy, ITZY snaps, “Why can’t I just say what’s on my mind?” and repeats, “I want you, who cares, ’cause I’m not shy.”. -- J.B. Retro- and disco-infused tracks from Korean artists were a major trend in 2020, the most visible example being BTS’ history-making “Dynamite.” A number of songs with similar influences received less mainstream recognition, but are standouts in their own ways—case in point: Apink’s “Dumhdurum.” The synth motif in the chorus, formed by a sequence of notes across five keys, is one of the most memorable riffs of the year. The giddy strings play a riff straight out of a cartoon jingle, and the nimbly strummed guitars put a pep to the band’s step. The songs are less about love than they are about feeling torn between the angel and the devil perched on one’s shoulders. But “Dumhdurum” didn’t just leave a mark for its electronic production. Their cockiness peaks in the chorus, which doubles as a taunt and a mantra: "Be hotter/ Beyond the control,” they sing like a drill instructor. The generous offering of 20 tracks spanning an hour and 14 minutes allowed listeners to digest and dissect its complexities as the world transitioned to a period of isolation and quarantine. Each track spotlights the SHINee and SuperM member’s singing against a backdrop of instrumentals that gradually soften in progression from the album’s first track to the last. the band begins to question as more dizzying thoughts fill their minds. Released just a couple of days ago, Cry For Me is hands down the best single from the girls of Twice in 2020. EMAIL ME. -- L.S. All Rights Reserved. “Destroy me more,” he says, as he embraces the alternate version of himself -- the Mr. Hyde to his Dr. Jekyll -- despite knowing full well that it might just be the beginning of the end. --. They capture how addictive it all is with childlike glee: the titular action is treated like a schoolyard game, handclaps and shouted chants provide constant pep, and a “neener neener”-like melody in the chorus drives home how obnoxious they might sound to everyone else. Of the solo releases this year, Hwasa’s “Maria” leaves the most searing impression. The pandemic certainly did not halt GFRIEND’s musical progress. 18. Amidst airy promises from his lover is the dreary prospect of being left alone, but he approaches this mixed-messaging with a refreshing candor. An unexpected error has occurred with your sign up. Broadway was shuttered for the majority of 2020, but SEVENTEEN brought us theater music, if only for three minutes, with “Home;run.” The orchestral accompaniment of the swing-based track is dramatic and flashy—fast-paced beats resonant of claps and snaps build a groovy rhythm over a majestic brass section. Author. -- M.M. -- JEFF BENJAMIN, For their first comeback in two years, APRIL play the enchanting lead roles of a cosmic love drama, set to a lush production with synths that shine like gemstones. TXT, “Can’t You See Me” (The Dream Chapter: ETERNITY), On “Can’t You See Me,” TXT pull the dark undercurrent of their youthful whimsy out from under the bed. This was a great year for soloists in K-pop, and no one was more honest with themselves than WOODZ. Top 3 K-Pop Songs of December 2020 . -- L.S. But they assure you it’s OK: that in the obsessiveness and oversharing is an unflinching self-love. Co-produced by members Bang Chan, Changbin and Han, “Back Door” welcomes you in with TFB and, with its cheeky on-the-nose door creaks, its cooly confident vocal performances, and a stomping, floor-filling EDM finale. To simplify subscriber access, we have temporarily disabled the password requirement. Unexpected error has occurred with your sign up the devil perched on ’... 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